Jessica Helfand, a founding editor of Design Observer, is an award-winning graphic designer and writer. A former contributing editor and columnist for Print, Eye and Communications Arts magazine, she is a member of Alliance Graphique Internationale and a recent laureate of the Art Director’s Hall of Fame. Jessica received both her BA and MFA from Yale University where she has taught since 1994. In 2013, she won the AIGA medal.
































































































































































































































































































































































































































































11.27.06
How Hollywood Nailed The Half-Pipe
Pixar
and Animal Logic have mastered a particularly persuasive (and as it turns out, rather literal) form of spin that makes Road Runner look like dryer lint.







09.21.06
Death 'N' Stuff
Smoking Kills: The label days it all. Or does it? Once the allegedly chilling skull and crossbones is marketed as a decorative pattern
on a silk bowtie, its credibility as an mark of peril seems, well, somewhat questionable, begging the question: have we become so bored by life that we've inadvertently become inured to death?
































06.22.05
The Adventures of Cynic Boy and Design Mom in 3D
Brainwashed I may be, but I distinctly noted an homage to
Salvador Dalí — with perhaps a gentle nod to René Magritte — last night while sitting through Robert Rodriguez's ludicrous, yet oddly luscious new movie, The Adventures of Shark Boy and Lava Girl in 3D.




06.10.05
The Cut: When Life Imitates Art (I Mean Design)
CBS Television debuted its new series,
The Cut, (modeled after other reality shows such as NBC's The Apprentice)about "16 aspiring designers."







03.24.05
The Design Police
As unlikely as it sounds:  
Graphic Junkies is a photo blog by  "an active law enforcement officer in the state of Georgia." The photographs are remarkable; the context compelling.






02.18.05
My Friend Flickr
Flickr is a digital photo sharing website and web services suite that was developed by Ludicorp, a Vancouver, Canada company founded in 2002. It's a utopian oddity — a culture enabled by a technology that in turn enables a culture — and it's a brilliant example of socially networked software because it's free, its easy, and it makes sense.




02.16.05
The New Paper Chase: Cyberspace on The Auction Block
On February 23,
Christies in New York will auction more than 1,000 items dating as far back as the early 17th century, all of it tracing the history of cyberspace.















































Observed | July 30

A new director for New York’s Museum of Arts and Design—the 11th one, in fact. [JH]

A closer look at the economics of Black pop culture reveals that most Black creators (outside music) come from middle-to-upper middle class backgrounds, while the Black poor are written about but rarely get the chance to speak for themselves. [BV]

How Katsushika Hokusai’s “Under the Wave off Kanagawa” emerged from Japan’s isolation to become a global icon. [BV]

Nissan teamed up with sound designers at Bandai Namco, the gaming company known for Pac-Man and Tekken to create more musical warning sounds. (via Kottke)[BV]

A brave—and brilliant—essay about the perils of sameness in design. [JH]


Observed | July 23

What is the opposite of design forward—design backward? (Like a good vintage wine?) Apparently not! [JH]

Global intuitive cryptology, an installation by Hayal Pozanti at the Stavros Niarchos Foundation Library in New York. [JH]

An insightful essay by Jarrett Fuller on the impact and legacy of Cranbrook’s graphic design program. [JH]

Photographer Bryan Sansivero has spent years exploring and documenting homes across Upstate New York that have been left to the ravages of time. (Don’t miss the Clown House.) [JH]


Observed | July 16

Google Head of Product Inclusion—and author of Building For EveryoneAnnie Jean-Baptiste on better design practices. [JH]

AOC, master of the modern visual: a beautiful essay by ALexandra Lange. [JH]

An extraordinary new seriwes of books (three of them, slipcased) on Swiss graphic design history. [JH]

Barbara Stauffacher Solomon changed the world of design with her life-sized graphics. A new collaboration with filmmaker Gary Hustwit is designed to introduce her to a new generation of design lovers. [BV]

Is Artificial Intelligence...a design problem? [JH]

In fiction, the contemporary art world is, more often than not, represented as a ridiculous shell game in which empty provocation is propped up by canny marketing and rampant financial speculation. [BV]

Will there ever be a place to sit down in Moynihan Station? [BV]

Reimagined movie posters from Patrick Concepcion. (Via Allan Chochinov/Jason Kottke.) [JH]

Wolfgang Weingart, widely credited as the father of New Wave typography, has died. He was 80. [JH]

“His recent installations sweep us in, sometimes entertain, then ask us to step back and consider images and feelings that seem too full, too immediate, to consider.” The internationally acclaimed artist Christian Boltanski has died in Paris. He was 76. [JH]

Saved from a dumpster, glass negatives reveal life in Massachusetts in the nineteenth century. (Via Don Whelan.) [JH]

The UK filmmaker Paul Bush is known for his stop-motion animations using repurposed objects. In his nostalgic short Ride, he finds his muse in theiconic motorcycles of the 1950s and ’60s. [BV]


Observed | July 06

Where’s our flying-car future? Maybe it’s finally a little closer, thanks to AirCar. [BV]


Observed | June 30

“In the infinite collection of gigantic, dwarven, elongated, flattened, skeletal, microscopic, grotesque, gnarled typefaces that grows everyday,” wrote Alphonse to Boissieu in 1854, “it is surprising that no one has thought of reproducing the beautiful antique letter whose proportions are so fortunately and wisely combined...” More on epigraphy—the study of ’exposed writings‘—and on Mercure, the new typeface from Fonderie Abyme, here [JH]


Observed | June 25

Parsing the pixels to discern truth from falsehood: truth and consequences in the deepfake era. [JH]


Observed | June 24

A touching exchange between two wonderful art directors, brought together by unlikely circumstances: Steve Heller and Véronique Vienne reflect on creativity, a chronic illness, and everything in between. [JH]



Jobs | August 05