Exposure

Rick Poynor
Exposure: Andy’s Food Mart by Tibor Kalman and M&Co
The virtue of the vernacular


Rick Poynor
Exposure: License Photo Studio by Walker Evans
The building as camera


Rick Poynor
Exposure: Drape (Cavalcade III) by Eva Stenram
Abducted in plain sight


Rick Poynor
Exposure: Mrs. E.N. Todter by Dion & Puett Studio
Art and the Ladies’ Field Club


Rick Poynor
Exposure: Rayograph with Gun by Man Ray
The poetry of the cameraless photo


Rick Poynor
Exposure: Clive Owen in character by Dan Winters
Anatomy of a publicity picture


Rick Poynor
Exposure: Assicurazioni Generali by Tošo Dabac
The textual unconscious of Zagreb


Rick Poynor
Exposure: Motion Efficiency Study by Frank Gilbreth
The ghost in the grid


Rick Poynor
Exposure: Commuter in Tokyo by Michael Wolf
How to cope with compression


Rick Poynor
Exposure: Ford Motor Plant by Charles Sheeler
The cathedral of industry


Rick Poynor
Exposure: Adamanese Man by Maurice Vidal Portman
Photography for anthropologists


Rick Poynor
Exposure: Domestic Interior by Nicole Bachmann
Design for everyday life?


Rick Poynor
Exposure: Cement Sky by Marla Rutherford
A fetish for motels


Rick Poynor
Exposure: Wintery Forest by Yang Yongliang
Building the new China


Rick Poynor
Exposure: Nurse Midwife by W. Eugene Smith
The mystery of birth


Rick Poynor
Exposure: Untitled Film Still #21 by Cindy Sherman
The photographer as performer


Rick Poynor
Exposure: Guts of the Beast by Marcus Nilsson
How to take a food picture


Rick Poynor
Exposure: Woman Mourning by Don McCullin
What are images of suffering for?


Rick Poynor
Exposure: Cabaret de l'Enfer by Harry C. Ellis
The ghoulish cavern in the villa of Ormen


Rick Poynor
Exposure: Chimpanzee by James Mollison
Looking into the face of an ape


Rick Poynor
Exposure: Operating Room by Augustine H. Folsom
Early surgery as public theater


Rick Poynor
Exposure: Francis Bacon by Bill Brandt
Portrait of the artist or photographer?


Rick Poynor
Exposure: Oildale by Rudy VanderLans
The dismal beauty of an oil field


Rick Poynor
Exposure: House #3 by Francesca Woodman
Fabricating a phantom girl


Rick Poynor
Exposure: Copacabana Beach by Thomaz Farkas
A pioneer of Brazilian photography


Rick Poynor
Exposure: Bar in Valparaiso, Chile by Sergio Larrain
The ambiguity of soft focus


Rick Poynor
Exposure: Suburban House at Night by Todd Hido
The pleasure in not knowing


Rick Poynor
Exposure: Man with a Bandaged Head
The aftermath of extreme weather


Rick Poynor
Exposure: Portrait of Space by Lee Miller
Frames within frames in the desert


Rick Poynor
Exposure: H.P. Lovecraft by Lucius B. Truesdell
The master of horror


Rick Poynor
Exposure: Morandi’s Objects by Joel Meyerowitz
The sublime in ordinary things


Rick Poynor
Exposure: Tilda Swinton by Tim Walker
The performance of a picture


Rick Poynor
Exposure: American Hermit by Alec Soth
Alone in the great outdoors


Rick Poynor
Exposure: Pirelli Calendar Model by Peter Lindbergh
The production line of glamor


Rick Poynor
Exposure: Kreuzberg Tower in Berlin by Hélène Binet
The aura of a building


Rick Poynor
Exposure: Marlene Dietrich Billboard by Brassaï
Superhuman mystique of a star


Rick Poynor
Exposure: Crashed Car by Arnold Odermatt
Fast and Furious: a retrofit


Rick Poynor
Exposure: Grace Jones by Jean-Paul Goude
Beauty, androgyny, and threat


Rick Poynor
Exposure: Beauty Salon in Kraków by David Hlynsky
The Surrealism of window displays


Rick Poynor
Exposure: Crime Scene in Paris by Alphonse Bertillon
The killing of a bank messenger


Rick Poynor
Exposure: Children at Play in the City by Shirley Baker
The freedom of the street


Rick Poynor
Exposure: Rossellini and Lynch by Helmut Newton
A primal lovers’ tryst


Rick Poynor
Exposure: Woman Mailing a Letter by Clifton R. Adams
The spell of vintage color


Rick Poynor
Exposure: James Nachtwey by Antonin Kratochvil
Portrait of a war photographer


Rick Poynor
Exposure: Dysturb poster in Paris by Jeanne Frank
Taking photojournalism to the street


Rick Poynor
Exposure: American Family by Ralph Eugene Meatyard
The otherness of other people


Rick Poynor
Exposure: Bookstore in Barcelona by Gabriel Casas
A new vision of the book


Rick Poynor
Exposure: Invisible Man by Gordon Parks
The view from an electric cave


Rick Poynor
Exposure: Kuwait, 1991 by Sophie Ristelhueber
The scars of a desert war


Rick Poynor
Exposure: Newport Baths by Max Dupain
Sun, sea, and disconnection


Rick Poynor
Exposure: The Eiffel Tower by Germaine Krull
A Paris icon made abstract


Rick Poynor
Exposure: Reem-B Robot by Vincent Fournier
The mental life of a machine


Rick Poynor
Exposure: Salvation Army Barracks by Jack London
Down and out in early 20th-century London


Rick Poynor
Exposure: Flypaper and Flies by Jacques-André Boiffard
A cold eye on insect carnage


Rick Poynor
Exposure: The Gamble by Peter Kennard
The clandestine operations of power


Rick Poynor
Exposure: Pages from Fabrik by Jak Tuggener
The dark undercurrents of industry


Rick Poynor
Exposure: Head below Wires by Roger Ballen
Absurdity in the South African outland


Rick Poynor
Exposure: Surface Transit by Eva Fuka
The shock of New York in the sixties


Rick Poynor
Exposure: Rue du Temple, Paris by Gail Albert Halaban
The lure of a lighted window


Rick Poynor
Exposure: J.G. Ballard by Brian Griffin
The science fiction of the ordinary


Rick Poynor
Exposure: Brodsky, the Tie Seller in Paris
Every photograph is an enigma


Rick Poynor
Exposure: Lens bookshop in Sutton by Lloyd Rich
The rediscovery of lost moments


Rick Poynor
Exposure: Luigi Russolo’s Noise Machines
Sonic conjurors of experimental music


Rick Poynor
Exposure: Butlin’s holiday camp by Edmund Nägele
A sixties vacation in glowing color


Rick Poynor
Exposure: Cat and I by Wanda Wulz
Modernity, femininity and the feline


Rick Poynor
Exposure: Restaurant de la Réserve by Jean Gilletta
Wonder and yearning by the sea


Rick Poynor
Exposure: Berlin scene by Wolfgang Zurborn
The hidden order of the random


Rick Poynor
Exposure: Mother and Child by Philip Jones Griffiths
The gendered power relations of war


Rick Poynor
Exposure: The Colossi of Memnon by Francis Bedford
Mysterious emanations from the desert


Rick Poynor
Exposure: The Simulator by Dora Maar
The chamber of Surrealist visions


Rick Poynor
Exposure: El Paso Street by Stephen Shore
The street corner: an uncommon place


Rick Poynor
Exposure: Rise Up You Are Free by Dominic Hawgood
A post-photographic view of exorcism


Rick Poynor
Exposure: Striporama street scene by Vivian Maier
How good was the photographer nanny?


Rick Poynor
Exposure: Viktoria Modesta by Nadav Kander
Changing perceptions of impairment



Observed | July 30

A new director for New York’s Museum of Arts and Design—the 11th one, in fact. [JH]

A closer look at the economics of Black pop culture reveals that most Black creators (outside music) come from middle-to-upper middle class backgrounds, while the Black poor are written about but rarely get the chance to speak for themselves. [BV]

How Katsushika Hokusai’s “Under the Wave off Kanagawa” emerged from Japan’s isolation to become a global icon. [BV]

Nissan teamed up with sound designers at Bandai Namco, the gaming company known for Pac-Man and Tekken to create more musical warning sounds. (via Kottke)[BV]

A brave—and brilliant—essay about the perils of sameness in design. [JH]


Observed | July 23

What is the opposite of design forward—design backward? (Like a good vintage wine?) Apparently not! [JH]

Global intuitive cryptology, an installation by Hayal Pozanti at the Stavros Niarchos Foundation Library in New York. [JH]

An insightful essay by Jarrett Fuller on the impact and legacy of Cranbrook’s graphic design program. [JH]

Photographer Bryan Sansivero has spent years exploring and documenting homes across Upstate New York that have been left to the ravages of time. (Don’t miss the Clown House.) [JH]


Observed | July 16

Google Head of Product Inclusion—and author of Building For EveryoneAnnie Jean-Baptiste on better design practices. [JH]

AOC, master of the modern visual: a beautiful essay by ALexandra Lange. [JH]

An extraordinary new seriwes of books (three of them, slipcased) on Swiss graphic design history. [JH]

Barbara Stauffacher Solomon changed the world of design with her life-sized graphics. A new collaboration with filmmaker Gary Hustwit is designed to introduce her to a new generation of design lovers. [BV]

Is Artificial Intelligence...a design problem? [JH]

In fiction, the contemporary art world is, more often than not, represented as a ridiculous shell game in which empty provocation is propped up by canny marketing and rampant financial speculation. [BV]

Will there ever be a place to sit down in Moynihan Station? [BV]

Reimagined movie posters from Patrick Concepcion. (Via Allan Chochinov/Jason Kottke.) [JH]

Wolfgang Weingart, widely credited as the father of New Wave typography, has died. He was 80. [JH]

“His recent installations sweep us in, sometimes entertain, then ask us to step back and consider images and feelings that seem too full, too immediate, to consider.” The internationally acclaimed artist Christian Boltanski has died in Paris. He was 76. [JH]

Saved from a dumpster, glass negatives reveal life in Massachusetts in the nineteenth century. (Via Don Whelan.) [JH]

The UK filmmaker Paul Bush is known for his stop-motion animations using repurposed objects. In his nostalgic short Ride, he finds his muse in theiconic motorcycles of the 1950s and ’60s. [BV]


Observed | July 06

Where’s our flying-car future? Maybe it’s finally a little closer, thanks to AirCar. [BV]


Observed | June 30

“In the infinite collection of gigantic, dwarven, elongated, flattened, skeletal, microscopic, grotesque, gnarled typefaces that grows everyday,” wrote Alphonse to Boissieu in 1854, “it is surprising that no one has thought of reproducing the beautiful antique letter whose proportions are so fortunately and wisely combined...” More on epigraphy—the study of ’exposed writings‘—and on Mercure, the new typeface from Fonderie Abyme, here [JH]


Observed | June 25

Parsing the pixels to discern truth from falsehood: truth and consequences in the deepfake era. [JH]


Observed | June 24

A touching exchange between two wonderful art directors, brought together by unlikely circumstances: Steve Heller and Véronique Vienne reflect on creativity, a chronic illness, and everything in between. [JH]



Jobs | August 05