Evidence

Sean Adams
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Sean Adams found the best examples of the next generation of designers and artists in the field of large scale environmental graphics.



Sean Adams
Bad Color
Advice on creating color palettes from the author of The Designer’s Dictionary of Color.


Sean Adams
The Strange Case of the Designer
What makes a graphic designer strange? Is it the obsessive attention to kerning on street signs, arguing whether PMS 172 is orange or red, or collecting odd scraps of paper on every European vacation?


Sean Adams
The Design of Comfort
What I found in the typography of Disneyland was an incredibly dense design solution beyond typography with intentional choices to create a specific experience.


Sean Adams
Blinded by The Light
I found the world of black light posters in late 1978, when I was in middle school. At the time, the fluorescent posters represented rebellion and a bad-ass attitude.


Sean Adams
Smiley Smile
“The image we have would be impossible for Mickey Mouse to maintain. We’re just normal people.”


Sean Adams
When the World Was Young
When I started in the profession, I was the youngest such and such for a long time. Somewhere along the line as the generation before me retired or moved on to greener pastures, I became the old guard. This happens to all of us, which is better than being hit by a bus.


Sean Adams
Fake News: Blow Up
We are conditioned to understand that a photograph is an honest record of an object, time, and place.


Sean Adams
Hope is The Thing with Feathers
A closer look at NBC’s peacock.


Sean Adams
The Meticulous Bruce Rogers
Classical structure and typography, paired with a modern aesthetic, typified Bruce Rogers work.


Sean Adams
Gateway Drug of Dessau
The typography and graphic design at the Bauhaus represent the most religious allegiance to Modernism. But, it is the photography at the Bauhaus that serves as a gateway drug.


Sean Adams
Admiration for the Bland Subject (and Beautiful Design)
When presented with dull content, Sean Adams recommends designers “reframe, augment, or interpret the content and redesign.”


Sean Adams
Remembering Clive Piercy
Without Clive the world will be a little less colorful.


Sean Adams
Mixing Metaphors
This conceptual approach of the “fused metaphor” combines symbol “A” with symbol “B” to produce a new result.


Sean Adams
Hey
Sean Adams extolls the virtues of a narrative told with minimal means and a strong ideas.


Sean Adams
Joe Orton: Dangerous Collage
Is it graphic design?


Sean Adams
Manifesto of Surrealism: 3 Tragedies
We pass through our days creating fictions to make sense of the world.


Sean Adams
Return of the Standards Manuals or Revenge of the Rigid
These are not systems to be messed with.


Sean Adams
John Astrop and Eric Hill, Booze, 1967
Historic design work, linked to the cultural standards of its time, is often unacceptable now. Does that make it bad? Should the creator be vilified? Should the offending design work be eliminated from a classroom or book?


Sean Adams
Mary Blair: The Grand Canyon Concourse Mural
Mary Blair’s Grand Canyon Concourse mural in the Contemporary Resort at Walt Disney World is a super-graphic that transforms the architecture.


Sean Adams
Phyllis Tanner
“It is a cut-throat business. Be good at negotiating. It is not just about ART.”


Sean Adams
Jennifer Morla: El Museo Mexicano, 1995
As a designer, does the work we create subjugate and presume superiority over another culture, or does it attempt to authentically represent it?


Sean Adams
Marget Larsen
Marget Larsen’s design work bridged post-war American modernism and 1960s hedonist psychedelia.


Sean Adams
Will Burtin
Will Burtin was a graphic designer with no sense or boundaries in media.



Observed | August 13

Dizzying discs and obscene wordplay—revisiting Marcel Duchamp’s 1926 film debut. [BV]

For Ben Watson, who leads MillerKnoll, every great designer is an optimist. [JH]

Tina Charad—a Los Angeles-based South African by way of Britain—on the challenges of graphic in film. [JH]

Entertainment for the dog days of August: Focukups are digital mockups that show your work in, um, real conditions. [JH]


Observed | July 29

Conceptual magazine covers, and why they matter. [JH]


Observed | July 22

Deem is a design journal established upon the notion that design is fundamentally a shared experience that adds value to communities. [JH]

Fast Company shares its favorite design books of summer. [JH]

Design and surrealism, an exhibition at the London Design Museum. [JH]

Claes Oldenberg, the Swedish-born American Pop artist known for his monumental sculptures of everyday objects, has died. He was 93. [JH]

Manuhuia Barcham, Managing Director, Archetekt, will be the next head of the AIGA Board of Directors. [JH]


Observed | July 15

Everything You Ever Wanted To Know About (Design And) Sex But Were Afraid To Ask. [JH]

“He’s even branched out into graphic design himself, with a little help from Naoto Fukasawa, in a bizarre collaboration that has yet to see the light of day.” Kanye West does design. (And doesn’t.) [JH]

Sreoshy Banerjea has been appointed by Mayor Eric Adams as the next Executive Director of the New York City Public Design Commission. [JH]

“He’s not just a designer,” Steve Jobs once said of Jonathan Ive, then-design director at Apple. “He has more operational power than anyone at Apple, except me.” [JH]


Observed | July 08

The American designer Arnold Skolnick who—Inspired by Matisse’s cutouts—created the iconic Woodstock poster in 1969, has died. He was 85. [JH]

Where graphic design meets architecture: Thonik’s new studio, in Amsterdam. [JH]

Marcus Fairs, the founder and editor-in-chief of Dezeen, has died. The well-known design journalist was 54. [JH]

2022 SEGD Award winners announced. [JH]


Observed | June 17

Molly Young reviews Alexandra Lange’s new book, Meet Me by the Fountain: An Inside History of the Mall. (Read an excerpt here.) [JH]

Can you quantify creativity? [JH]

Zimbabwean born designer, visual artist, and educator Nontsikelelo Mutiti has been appointed the next Director of Graduate Studies in Graphic Design at Yale School of Art. [JH]


Observed | June 03

A critique of poster design goes viral. [JH]

Colin Forbes—who, with Alan Fletcher, Theo Crosby, Mervyn Kurlansky and Kenneth Grange co-founded the international design firm, Pentagram, in the early 1970s—has died at 94. [JH]

Are school shootings a design problem? Texas Senator Ted Cruz thinks so. [JH]]

In the United States, there are five requirements for design patentability. Do you know what they are? [JH]

Italian design legend Riccardo Falcinelli on design philosophy—and reality. [JH]

Read It And Weep Department: Just when you thought a more diverse cast of characters (think women and people of color, for starters) might actually be on their way to getting some long-overdue airtime, Austrian brothers Jono and Benji Bergmann release a film on ... Bruce Mau! [JH]


Observed | April 29

Creatives for Ukraine, an open platform with over one thousand digital artworks submitted showing solidarity with Ukraine. [BV]

Trained as an Industrial designer at Notre Dame, Michigan state senator Mallory McMorrow takes on the GOP. [JH]

Yup. [JH]

Designers! They’re just like us! “Grey’s friend Jamie Lee Curtis helped design the cover of Out of the Corner, using what she described in a phone interview as “D.I.Y. photoshop phone app skills.” [JH]


Observed | April 26

Award-winning American artist and illustrator, Marshall Arisman, has died at 83. Steve Heller’s tribute is here. [JH]



Jobs | August 17