Exposure

Rick Poynor
Exposure: Andy’s Food Mart by Tibor Kalman and M&Co
The virtue of the vernacular


Rick Poynor
Exposure: License Photo Studio by Walker Evans
The building as camera


Rick Poynor
Exposure: Drape (Cavalcade III) by Eva Stenram
Abducted in plain sight


Rick Poynor
Exposure: Mrs. E.N. Todter by Dion & Puett Studio
Art and the Ladies’ Field Club


Rick Poynor
Exposure: Rayograph with Gun by Man Ray
The poetry of the cameraless photo


Rick Poynor
Exposure: Clive Owen in character by Dan Winters
Anatomy of a publicity picture


Rick Poynor
Exposure: Assicurazioni Generali by Tošo Dabac
The textual unconscious of Zagreb


Rick Poynor
Exposure: Motion Efficiency Study by Frank Gilbreth
The ghost in the grid


Rick Poynor
Exposure: Commuter in Tokyo by Michael Wolf
How to cope with compression


Rick Poynor
Exposure: Ford Motor Plant by Charles Sheeler
The cathedral of industry


Rick Poynor
Exposure: Adamanese Man by Maurice Vidal Portman
Photography for anthropologists


Rick Poynor
Exposure: Domestic Interior by Nicole Bachmann
Design for everyday life?


Rick Poynor
Exposure: Cement Sky by Marla Rutherford
A fetish for motels


Rick Poynor
Exposure: Wintery Forest by Yang Yongliang
Building the new China


Rick Poynor
Exposure: Nurse Midwife by W. Eugene Smith
The mystery of birth


Rick Poynor
Exposure: Untitled Film Still #21 by Cindy Sherman
The photographer as performer


Rick Poynor
Exposure: Guts of the Beast by Marcus Nilsson
How to take a food picture


Rick Poynor
Exposure: Woman Mourning by Don McCullin
What are images of suffering for?


Rick Poynor
Exposure: Cabaret de l'Enfer by Harry C. Ellis
The ghoulish cavern in the villa of Ormen


Rick Poynor
Exposure: Chimpanzee by James Mollison
Looking into the face of an ape


Rick Poynor
Exposure: Operating Room by Augustine H. Folsom
Early surgery as public theater


Rick Poynor
Exposure: Francis Bacon by Bill Brandt
Portrait of the artist or photographer?


Rick Poynor
Exposure: Oildale by Rudy VanderLans
The dismal beauty of an oil field


Rick Poynor
Exposure: House #3 by Francesca Woodman
Fabricating a phantom girl


Rick Poynor
Exposure: Copacabana Beach by Thomaz Farkas
A pioneer of Brazilian photography


Rick Poynor
Exposure: Bar in Valparaiso, Chile by Sergio Larrain
The ambiguity of soft focus


Rick Poynor
Exposure: Suburban House at Night by Todd Hido
The pleasure in not knowing


Rick Poynor
Exposure: Man with a Bandaged Head
The aftermath of extreme weather


Rick Poynor
Exposure: Portrait of Space by Lee Miller
Frames within frames in the desert


Rick Poynor
Exposure: H.P. Lovecraft by Lucius B. Truesdell
The master of horror


Rick Poynor
Exposure: Morandi’s Objects by Joel Meyerowitz
The sublime in ordinary things


Rick Poynor
Exposure: Tilda Swinton by Tim Walker
The performance of a picture


Rick Poynor
Exposure: American Hermit by Alec Soth
Alone in the great outdoors


Rick Poynor
Exposure: Pirelli Calendar Model by Peter Lindbergh
The production line of glamor


Rick Poynor
Exposure: Kreuzberg Tower in Berlin by Hélène Binet
The aura of a building


Rick Poynor
Exposure: Marlene Dietrich Billboard by Brassaï
Superhuman mystique of a star


Rick Poynor
Exposure: Crashed Car by Arnold Odermatt
Fast and Furious: a retrofit


Rick Poynor
Exposure: Grace Jones by Jean-Paul Goude
Beauty, androgyny, and threat


Rick Poynor
Exposure: Beauty Salon in Kraków by David Hlynsky
The Surrealism of window displays


Rick Poynor
Exposure: Crime Scene in Paris by Alphonse Bertillon
The killing of a bank messenger


Rick Poynor
Exposure: Children at Play in the City by Shirley Baker
The freedom of the street


Rick Poynor
Exposure: Rossellini and Lynch by Helmut Newton
A primal lovers’ tryst


Rick Poynor
Exposure: Woman Mailing a Letter by Clifton R. Adams
The spell of vintage color


Rick Poynor
Exposure: James Nachtwey by Antonin Kratochvil
Portrait of a war photographer


Rick Poynor
Exposure: Dysturb poster in Paris by Jeanne Frank
Taking photojournalism to the street


Rick Poynor
Exposure: American Family by Ralph Eugene Meatyard
The otherness of other people


Rick Poynor
Exposure: Bookstore in Barcelona by Gabriel Casas
A new vision of the book


Rick Poynor
Exposure: Invisible Man by Gordon Parks
The view from an electric cave


Rick Poynor
Exposure: Kuwait, 1991 by Sophie Ristelhueber
The scars of a desert war


Rick Poynor
Exposure: Newport Baths by Max Dupain
Sun, sea, and disconnection


Rick Poynor
Exposure: The Eiffel Tower by Germaine Krull
A Paris icon made abstract


Rick Poynor
Exposure: Reem-B Robot by Vincent Fournier
The mental life of a machine


Rick Poynor
Exposure: Salvation Army Barracks by Jack London
Down and out in early 20th-century London


Rick Poynor
Exposure: Flypaper and Flies by Jacques-André Boiffard
A cold eye on insect carnage


Rick Poynor
Exposure: The Gamble by Peter Kennard
The clandestine operations of power


Rick Poynor
Exposure: Pages from Fabrik by Jak Tuggener
The dark undercurrents of industry


Rick Poynor
Exposure: Head below Wires by Roger Ballen
Absurdity in the South African outland


Rick Poynor
Exposure: Surface Transit by Eva Fuka
The shock of New York in the sixties


Rick Poynor
Exposure: Rue du Temple, Paris by Gail Albert Halaban
The lure of a lighted window


Rick Poynor
Exposure: J.G. Ballard by Brian Griffin
The science fiction of the ordinary


Rick Poynor
Exposure: Brodsky, the Tie Seller in Paris
Every photograph is an enigma


Rick Poynor
Exposure: Lens bookshop in Sutton by Lloyd Rich
The rediscovery of lost moments


Rick Poynor
Exposure: Luigi Russolo’s Noise Machines
Sonic conjurors of experimental music


Rick Poynor
Exposure: Butlin’s holiday camp by Edmund Nägele
A sixties vacation in glowing color


Rick Poynor
Exposure: Cat and I by Wanda Wulz
Modernity, femininity and the feline


Rick Poynor
Exposure: Restaurant de la Réserve by Jean Gilletta
Wonder and yearning by the sea


Rick Poynor
Exposure: Berlin scene by Wolfgang Zurborn
The hidden order of the random


Rick Poynor
Exposure: Mother and Child by Philip Jones Griffiths
The gendered power relations of war


Rick Poynor
Exposure: The Colossi of Memnon by Francis Bedford
Mysterious emanations from the desert


Rick Poynor
Exposure: The Simulator by Dora Maar
The chamber of Surrealist visions


Rick Poynor
Exposure: El Paso Street by Stephen Shore
The street corner: an uncommon place


Rick Poynor
Exposure: Rise Up You Are Free by Dominic Hawgood
A post-photographic view of exorcism


Rick Poynor
Exposure: Striporama street scene by Vivian Maier
How good was the photographer nanny?


Rick Poynor
Exposure: Viktoria Modesta by Nadav Kander
Changing perceptions of impairment



Observed | June 15

Everything you ever wanted to know about, well, everything (design-related, that is). Or so they claim! [JH]


Observed | June 09

Is protest more potent when you adopt the typeface of your subject? Don’t miss these photos. [JH]


Observed | June 08

Artist Corita Kent’s famed Hollywood studio is saved in a landmark historical preservation victory. [JH]


Observed | June 01

A fascinating look back at the internet’s major milestones. [JH]


Observed | May 27

Next week marks the 100 year anniversary of the Tulsa Race Massacre, the focus of a new historic center, Greenwood Rising, opening next week. “Greenwood Rising honors the icons of Black Wall Street, memorializes the victims of the massacre, and examines the lessons of the past to inspire meaningful, sustainable action in the present.” [BV]


Observed | May 26

How Colonial Pipeline’s archaic branding told us all we needed to know about the company. (via James I. Bowie) [BV]

President Biden revokes Trump‘s controversial classical architecture order. [JH]


Observed | May 25

Design Twitter goes wild over David Hockney’s typographic reworking of the Picadilly Circus logo. [JH]


Observed | May 19

Join the Society of Design Arts (SoDA) and AIGA Baltimore for an online talk by Rafael Cardoso, part of a virtual series created to promote the rich and plural histories of Latin American production in design. Free registration here. [JH]


Observed | May 18

After a decade of design and planning, +Pool has been approved by the city of New York. Listen to Michael Bierut’s conversation with founder and designer, Archie Lee Coates IV, on Season 6 of DBBD. [JH]


Observed | May 12

Kerby Jean-Raymond will be the first Black designer to show at Couture Week in Paris. Listen to Michael Bierut’s interview with him on Season 6 of The Design of Business | The Business of Design here. [JH]

The kind of speculative mashup you need right now. [JH]


Observed | May 10

“Nothing is unaffordable in a C.G.I. dreamscape, and rent is never due.” Anna Weiner on the speculative design world of “renderporn”. [JH]


Observed | May 09

Ellen Degeneres launches a new reality show to find the next great furniture designer. [JH]


Observed | May 07

Infusing design with equity: one designer’s perspective. [JH]


Observed | May 06

Last week Microsoft announced that they wanted the Twitterverse‘s help picking a new default font. This seemingly trivial choice by Microsoft will determine what works looks like for hundreds of millions of people. (via Blake Eskin) [BV]


Observed | May 05

In conjunction with the Walker Art Center, BluDot announces OpenStudio: a free design program for kids aged 9 to 14. [JH]


Observed | May 04

Titus Kaphar signs with UTA where he’ll start developing film projects based on his paintings. [JH]


Observed | May 03

A new site celebrating the Uruguayan publication La Semana highlights the personal and public triumphs of this memorable newsweekly. (In English and Spanish.) [JH]

Rhode Island’s license plate—known affectionately as the wave, and designed by Rhode Island native and RISD graduate Tyler Smith—will be redesigned by the, um, public. Holding an open design contest is bold and exciting;, writes architecture critic Will Morgan. It is also a recipe for disaster. [JH]

Wallpaper offers a superb roundup of advocacy and support groups working for equity, inclusion, and change in deisgn and related industries. [JH]


Observed | April 28

Lehrer Architects LA‘s second Tiny Home Village project has opened this week to residents in North Hollywood. Yet tiny houses aren’t always loved. Discuss! [BV]

How to really look at art: an eight-step guide by Antwaun Sargent. [JH]


Observed | April 27

Dwight Garner reviews the new novel by Rachel Cusk and notes its unusual (and seemingly deliberate) type choice: Optima! “Optima is unusual to see in a novel,” Garner observes. “I tried using it to type this piece. It made me feel I was working on Laurie Anderson’s laptop.” [JH]

At the nation’s newspaper of record, the term “Op-Ed”—a relic of an older age and nod to an older print newspaper design—is being retired from duty. [JH]

How mathematicians use their chalkboards to reveal the conceptual and visual beauty of their discipline: a new book by photographer Jessica Wynne. [JH]


Observed | April 21

Astrid Cooper is a curator in Bath, England. Also, she is five years old. [JH]

A new illustrated children’s book—featuring a flying gherkin—from Foster + Partners. [JH]


Observed | April 20

Introducing the whitest paint ever invented. [JH]

Just in time for Earth Day: Belgian artist Alain Verschueren’s Portable Oasis lets you spend quality time in the garden while social distancing at the same time. [JH]



Jobs | June 16