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Alexandra Lange|Essays

September 14, 2010

NYT Opinionator: If These Walls Could Talk

For the second time in as many weeks, this blog has made the big time (i.e. publication). A post I wrote last winter about the ABC TV show Modern Family developed into my third and likely final entry in the New York Times Opinionator series Living Rooms: If These Walls Could Talk.

The show, produced by Steven Levitan and Christopher Lloyd, is about three intertwined families living in the Los Angeles suburbs. We meet them in the pilot, each in a moment of stress, with no mention of how they are connected. The Dunphys, a husband and wife with three children, are at home, arguing over the length of their teenage daughter’s skirt and how to get their son’s head out of the banister (baby oil). The Pritchetts are at a soccer game, where Jay, played by Ed O’Neill, is mistaken for the father of his wife, Gloria, played by Sofia Vergara. The Pritchett-Tuckers, a homosexual couple, are on an airplane, headed back from Vietnam with their new baby, Lily. Their differences are underlined by crisis, but I could have understood their respective characters with mute on, just by looking at their living rooms.

All three were incredibly fun to write, and I wish it could just go on. But they’d have to pay me more money for that.

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By Alexandra Lange

Alexandra Lange is an architecture critic and author, and the 2025 Pulitzer Prize winner for Criticism, awarded for her work as a contributing writer for Bloomberg CityLab. She is currently the architecture critic for Curbed and has written extensively for Design Observer, Architect, New York Magazine, and The New York Times. Lange holds a PhD in 20th-century architecture history from New York University. Her writing often explores the intersection of architecture, urban planning, and design, with a focus on how the built environment shapes everyday life. She is also a recipient of the Steven Heller Prize for Cultural Commentary from AIGA, an honor she shares with Design Observer’s Editor-in-Chief, Ellen McGirt.

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